Lorena Mal (Mexico City, 1986) is an interdisciplinary artist who lives and works in Mexico City. Through various media such as sound and sculpture, archival intervention, installation, and video, her work focuses on the relationship between conservation, destruction, and memory, exploring how the ecosystemic interactions of the landscape have continuity in cultural, material, and performative expressions. Recent solo exhibitions include 'Witness Trees', Smith Gallery (North Carolina), 'Temporal', Museo Amparo (Puebla); and 'Concrete Acoustics: Turning something invisible into matter' at Meinblau (Berlin). Her work has been exhibited at locations such as Armory Center for the Arts (Pasadena), the Museum of Modern Art (CDMX), Museo Amparo (Puebla), Museo Jumex (CDMX), Palazzo Grassi (Venice), MUCA Campus (CDMX), and Biobat Artspace, Brooklyn Army Terminal (New York), among others. She has been a fellow of Jumex Contemporary Art Sponsorships for Artistic Research, the Young Creators program of the Fund for Culture and Arts (FONCA, 2018, 2016, and 2011), and a beneficiary of the Research and Production Program in Art and Media (2012). She is a graduate of the National School of Cinematographic Arts of the National Autonomous University of Mexico (UNAM) and the National School of Painting, Sculpture and Printmaking, “La Esmeralda”, and has also been part of artistic residencies such as McColl Center (2021); Skowhegan School for Painting and Sculpture (2016); and Cité Internationale des Arts (2014); among others. She is currently a member of the National System of Creators.